Pahârî : style of miniature painting who developed
itself as the Kângrâ school, in the small
Kangri kingdom, under the patronage of Rajpût kings,
during the 17 th and 18 th centuries; after years, this art was diffused to Uttar Pradesh
and Himachal Pradesh, in several centres like Kulû, Guler, Nurpûr, etc.; this style is quite
unlike the Moghol style, the most known at that time
Pandya : the capital of the Pandya kings was Madurai (Tamil Nadu).
This dynasty is mentionned as early as the Ashoka period
(the same for the Chola). The Pandya were not very important
till the 10 th century and they were even subdued by the Chola, then.
But, they took their revenge during the 13 th and 14 th centuries and dominate the Chola counrty. The Pandya
had a lot of armed conflicts with their neighbours Pallava,
Chalukya,
Hoysala, kings of Ceylon and mainly
Chola.
The third Pandya dynasty disappeared in 1311 as a consequence of the Malik Kafur attack, on behalf of the
Delhi Sultanate.
Prakriti : in the
Sâmkhya philosophy, Prakriti is the principle of the
Material World, the feminine active pole. She permanently interacts with
Purusha, thus producing the Manifested World.
Prakriti functions thanks to the tendencies expressed by the Guna.
After several centuries, this Samkhya Prakriti concept became more or less similar with the
Shakti concept
Purusha : Cosmic Consciousness, according to the
Sâmkhya, one of the six
darshana in Hinduism; in a previous sense of the
pre-vedic mythology, the word Purusha meant the "Cosmic Man", that is to say the macrocosmic level considered as a
huge body (while the man is the microcosmic one)